Sarah Jane Smith (
his_sarah_jane) wrote2007-10-17 11:07 pm
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[Mixed Muses] A Date with Simon
The door opens to a cozy attic neatly cluttered with many assorted nicknacks. Some of the objects are easily recognisable: books, photo frames, papers, etc. Others, though, are much more alien in origin.
Sarah Jane smiles warmly as she moves aside to let Simon through. Then, she shrugs slightly. "I don't typically have much company up here."
Sarah Jane smiles warmly as she moves aside to let Simon through. Then, she shrugs slightly. "I don't typically have much company up here."
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Soon enough, they were down the stairs and out the door. The rest of the house wasn't much to look at, just the typical home of a world-travelling journalist. All of the important things were hidden away upstairs in the attic.
Her car, also, wasn't much to look at. Small and green, it was good for chasing aliens and not much else.
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His face was turned up towards the sky. His grin turns bittersweet. He lowers his head, opening his eyes, staring down at the ground. He shakes his head. He's being silly, that's what.
He keeps his eyes on the ground, his smile fading into a thoughtful, mournful expression. Because he's a fake, that's what. The world is real, the air is real, but his breath is an artifice. He suddenly feels cheated. Why was he given a corporeal body? He would've had a better time living as a ghost. He wouldn't have felt any false sense of hope as a ghost: he'd know exactly what he was. Dead. Not pretending to be alive.
When Simon closes his eyes again, it's not to express bliss. Far from it.
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Sarah doesn't say anything, only rests her head against his arm.
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"We aren't eating out here?" he asks, putting on that familiar mask of joviality.
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He's smiling, joking: but like this new body of his, it's all a fake, a show. Unlike this new body, it has a clear purpose: to entertain and disarm the other person. It's a common tactic of his, a mask he can slip into so easily that he can wear it flawlessly regardless how angry or sad he feels.
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Yet.
So she leads him back to the car, opening her door and sliding in.
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For a moment, she remains awkward in the wooden seat as she debates what to do next. In the end, she cuddles up against him, pulling his arm around her back to rest on her hip.
Quietly, "What's wrong, Simon?"
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He says nothing.
The sounds of his breathing, growing steadier as a futile attempt to regain his composure, only encourage more tears.
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She'll hold him like this for as long as he needs with absolutely no complaints.
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Any attempt to focus on the now is met with some image, some experience, some feeling that sends more tears to his eyes, that causes him to cling to Sarah Jane as if she can erase the pain, regret and anger. He closes his eyes, feeling so sick he thinks he might vomit. Luckily for Sarah, he doesn’t. It’s just the nausea he feels from being reminded of his old life, a nausea that, at this moment, only comes out in more tears.
After a few minutes, Simon pulls himself up, wiping underneath his eyes. He doesn’t feel any better. He probably won’t for a while. “I should head back to the bar,” he whispers.
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Half question, half statement.
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"It's the man I met now that matters. Not the man he was."
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